Back to: ‘Dangerous Philosophies of Michael Jackson’ Online Course
Lesson 0: Welcome to The Dangerous Philosophies of Michael Jackson
Lesson Objectives:
By the end of this introductory lesson, students will:
- Understand the purpose and structure of the course.
- Explore the key themes in The Dangerous Philosophies of Michael Jackson.
- Discuss why Michael Jackson’s work is worthy of academic study.
- Identify personal learning goals and expectations for the course.
I. Introduction to the Course
- This course is based on Elizabeth Amisu’s The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (2016).
- It explores Jackson’s artistry beyond entertainment, analysing his work through the lens of philosophy, cultural studies, and musicology.
- Jackson is viewed as an artist, thinker, and social commentator, not just a pop star.
Key Question:
- Why do you think Michael Jackson’s work deserves academic study?
II. Key Themes in The Dangerous Philosophies of Michael Jackson
The course will cover the following four major themes:
Michael Jackson as an Artist
- His creative process in music, dance, and storytelling.
- Innovations in performance and production.
- His influences from literature, theatre, film, and mythology.
Jackson as an Icon and Cultural Figure
- How he shaped pop culture and global identity.
- His impact on fashion, music videos, and celebrity culture.
- The media’s role in constructing his image.
Jackson as a Philosopher and Visionary
- His themes of love, humanity, and social justice.
- His views on race, identity, and transformation.
- His deep spirituality, as expressed in his poetry (Dancing the Dream).
The Artistic Afterlife of Michael Jackson
- How his work has been reinterpreted since his death.
- His continued influence on music, dance, and film.
- The ethics of posthumous releases and tributes.
Discussion Question:
- Which of these themes interests you the most, and why?
III. Course Expectations
1. How We Will Approach Michael Jackson’s Work
- We will engage with his music, performances, short films, writings, and cultural impact.
- Critical thinking is key—we will look at different perspectives, including media narratives and academic studies.
- The course is interdisciplinary, touching on musicology, philosophy, film studies, and cultural theory.
2. What You Will Be Doing
- Close analysis of songs, lyrics, and performances.
- Comparing his work to literature, film, and historical influences.
- Group discussions and debates on key issues in Jackson’s life and career.
- Research and reflection, applying course concepts to modern media and culture.
Activity:
- Share one question you hope to answer by the end of the course.
IV. Why Michael Jackson?
- Jackson is often seen only as an entertainer, but his work carries deep social and artistic significance.
- His influence spans decades, genres, and cultures.
- He was a storyteller, activist, philosopher, and innovator, making his work rich for academic exploration.
Final Discussion:
- What are your first impressions of Michael Jackson’s artistic and cultural legacy?
V. Conclusion: The Journey Begins
- Over the next lessons, we will critically explore Jackson’s work and legacy, uncovering layers of meaning in his music, dance, and philosophy.
- We will challenge preconceived ideas and discover new perspectives on Jackson’s artistry.
- Michael Jackson is not just history—he is a continuing cultural force.
Suggested Readings & Resources for Lesson 0
- Elizabeth Amisu – The Dangerous Philosophies of Michael Jackson (Introduction & Preface)
- Joseph Vogel – Man in the Music: The Creative Life and Work of Michael Jackson (Overview)
- Moonwalk – Michael Jackson’s autobiography (Introduction)
- Short Films to Watch:
- Bad (1987) – A story of transformation and self-definition.
- Black or White (1991) – A statement on race and identity.
Next Lesson: Lesson 1 – Introduction: Reading, Writing, and Rewriting Michael Jackson
What role do the media, fans, and scholars play in shaping his legacy?
How has Jackson’s narrative been constructed and reconstructed over time?